Willem de Kooning Nonstop: Cherchez la femme Krauss counters this view with a radical rethinking of de Kooning’s bold canvases and reveals his true artistic practices. In the image-rich Willem de Kooning Nonstop, Rosalind E. His wi
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| Title | : | Willem de Kooning Nonstop: Cherchez la femme |
| Author | : | |
| Rating | : | 4.82 (567 Votes) |
| Asin | : | 022626744X |
| Format Type | : | Hardcover |
| Number of Pages | : | 176 Pages |
| Publish Date | : | 2016-03-01 |
| Genre | : |
Editorial : “Krauss’s short book is written in lucid, cogent prose, making its argument as strongly through its 73 illustrations as it does through the written text. Willem de Kooning Nonstop offers a fresh and persuasive perspective on its subject, provoking thoughtful engagement with his work and with paintings by other artists who influenced him.”
In the early 1950s, Willem de Kooning’s Woman I and subsequent paintings established him as a leading member of the abstract expressionist movement. His wildly impacted brushstrokes and heavily encrusted surfaces baffled most critics, who saw de Kooning’s monstrous female image as violent, aggressive, and ultimately the product of a misogynistic mind. In the image-rich Willem de Kooning Nonstop, Rosalind E. Krauss counters this view with a radical rethinking of de Kooning’s bold canvases and reveals his true artistic practices. Krauss demonstrates that contrary to popular conceptions of de Kooning as an artist who painted chaotically only to finish abruptly, he was in fact constantly reworking the same subject based on a compositional template. This template informed all of his art and included a three-part vertical structure; the projection of his male point of view into the painting or sculpture; and the near-universal inclusion of the female
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