National Treasure: Nicolas Cage (Pop Classics) In the process, Gibb debunks the common claim that Cage makes bad choices. In National Treasure, pop culture writer Lindsay Gibb studies Nicolas Cage’s acting style and makes sense of th
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| Title | : | National Treasure: Nicolas Cage (Pop Classics) |
| Author | : | |
| Rating | : | 4.85 (906 Votes) |
| Asin | : | 1770412360 |
| Format Type | : | Paperback |
| Number of Pages | : | 144 Pages |
| Publish Date | : | 2015-10-13 |
| Genre | : |
Editorial : A fun, thoughtful and quirky look at the machinations of hollywood and being a fan.” National PostYou don’t need to be a fan of Nicolas Cage to enjoy this fun romp through his strange and wonderful film career. On the contrary, Gibb’s heartfelt tribute will convince you to start a Nic Cage binge-watch-a-thon faster than you can say, No, not the bees!’” Broken PencilBeyond this concerted effort to legitimize the seriousness of what is sometimes considered trashy,’ there is actually something truly beautiful about spending a hundred pages with an author who is smartly passionate about their subject matter especially if you yourself would never have actually considered its value before they did deft work of convincing you of it. At the risk of sounding like a hater, I readily admit my opinion of Nicolas Cage was somewhere in the realm of slightly amused mockery’ until Gibb persuaded me otherwise.” Stacey May Fowles, author
A celebration of Nicolas Cage the man and the memeNicolas Cage: leading man or character actor? Action hero or goofball comedian? Internet joke or one of the greatest actors of his generation? Beyond the gif bait and easy punchline, Nicolas Cage continually frustrates easy categorization or understanding. In National Treasure, pop culture writer Lindsay Gibb studies Nicolas Cage’s acting style and makes sense of the trajectory of his eclectic career. In the process, Gibb debunks the common claim that Cage makes bad choices.While his selection of roles is seemingly inscrutable, Cage challenges critics and audiences alike by refusing to be predictable or to conform to the Hollywood approach to acting. Much like one of his mentors, David Lynch, Cage aims for art in movie-making. Is there a method to his madness? Is he in on the joke? In this clear-eyed and well-argued volume of the Pop Classics series, Gibb answers both questions with a resounding hell yes
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